130km, from the series:  As I Walked Out,  Ric Bower, pigment print, dimensions variable,  2006

funded by Arts Council Wales

Red Pill, from the series:  As I Walked Out,  Ric Bower, pigment print, dimensions variable,  2006

funded by Arts Council Wales

Six Inches, from the series:  As I Walked Out,  Ric Bower, pigment print, dimensions variable,  2006

funded by Arts Council Wales3

The Leader's Communicator, info graphic, detai, part of Another Leader / Transitory Suppository: Act #I Security Research, Nástio Mosquito,  Ric Bower, CCQ  and Another Africa, commissioned by Emdash foundation, 2016, offset litho print on 90gsm coated paper,  62 cm x 82cm, 3000 copies

 

A.L. Moore, demonstrates Threat Position 7 (TP7) to a group of art students in Ghent; wrapped in a 160cm x 140cm ArmorRex 12kg (±1kg) Bomb Blanket (BB), with the additional human shield, he is, according to Ric Bower Koroviev , provided with Ve50-500 m/s protection against fragments (17 grains or 1.1 gm as per STANG 2920), as part of  Another Leader / Transitory Suppository: Act #I Security Research, Nástio Mosquito,  Ric Bower, CCQ  and Another Africa, commissioned by Emdash foundation, 2016, offset litho print on 90gsm coated paper,  62 cm x 82cm, 3000 copies

 

A.L. Moore is approached by students enthusiastic to meet him at SKI / Secundair Kunstinstituut, Gent

Copyright: National Photo Library of Botrovia, as part of  Another Leader / Transitory Suppository: Act #I Security Research, Nástio Mosquito,  Ric Bower, CCQ  and Another Africa, commissioned by Emdash foundation, 2016, offset litho print on 90gsm coated paper,  62 cm x 82cm, 3000 copies

 

The Shype of Foles (of the Worlde)® , (production still), Kelly Schacht and Ric Bower, performance (±4 hours), film (4m 45s), 2017, car, printed matter, loud speaker system and volunteers

The Shype of Foles (of the Worlde)® , Poster, Kelly Schacht and Ric Bower, Double A0 Poster

A Troll’s Breakfast, (details), Paul Avis , commissioned by CCQ in 2017 in response to Out of Controll, Egill Sæbjörnsson’s 2017 presentation for the Icelandic Pavilion at the 57th Venice Biennale; 110cm x 138cm, pigment print behind plexiglass, edition of five

A Troll’s Breakfast, (details), Paul Avis , commissioned by CCQ in 2017 in response to Out of Controll, Egill Sæbjörnsson’s 2017 presentation for the Icelandic Pavilion at the 57th Venice Biennale; 110cm x 138cm, pigment print behind plexiglass, edition of five

Evil Teddy, preparatory Study, Ric Bower, red chalk on paper

from series: Sleeping Pill Action II, Venice, (detail), Jan Fabre and Ric Bower, 13.5.2017, Salute, Venice, duration ±1 hour, pigment print, size variable, published in CCQ magazine, 2017

Catherine my Captain (detail), Megan Broadmeadow , Emily Watkins, Ric Bower; and CCQ magazine;

Fashion Director Danielle Rees; session hair stylist Dom Capel; Central St Martin's fashion design students (Belinda Gredig, Salome Kappelin and Scarlet Yang); and students and staff from Carmarthen School of Art.

published in CCQ magazine, 2017

 

Catherine my Captain (detail), Megan Broadmeadow , Emily Watkins, Ric Bower; and CCQ magazine;

Fashion Director Danielle Rees; session hair stylist Dom Capel; Central St Martin's fashion design students (Belinda Gredig, Salome Kappelin and Scarlet Yang); and students and staff from Carmarthen School of Art.

published in CCQ magazine,

Three Generations  (detail), from the series Prayer, Ric Bower, 2005, pigment print, dimensions variable,

National Photographic Portrait Award Finalist, NPG

The Brouhers, (detail), from the series Prayer, Ric Bower  2005, pigment print, dimensions variable

 

Angie's Crew,  (detail), from the series Prayer, Ric Bower, 2005, pigment print, dimensions variable

 

from the series: Rituals of Becoming, (detail), crazinisT artisT (Va-Bene Elikem K. Fiatsi) and Ric Bower, 2017, pigment print, 102 x 138cm, courtesy the artists and Gallery 1957, Accra

from the series: Rituals of Becoming, (detail), crazinisT artisT (Va-Bene Elikem K. Fiatsi) and Ric Bower, 2017, pigment print, 102 x 138cm, courtesy the artists and Gallery 1957, Accra

from series: Akɛ yaaa heko || One does not take it anywhere, Elisabeth Efua Sutherland and Ric Bower, 2018; pigment print, dimensions variable,

featuring Alina Maria Veeser; Jacqueline Fadel; Vivian Boateng, James Turkson-Brown; Jeremiah Atcheah; Doris Mamley Djangmah; courtesy of the artists and Gallery 1957, Accra

from series: Akɛ yaaa heko || One does not take it anywhere, Elisabeth Efua Sutherland and Ric Bower, 2018; pigment print, dimensions variable,

featuring Alina Maria Veeser; Jacqueline Fadel; Vivian Boateng, James Turkson-Brown; Jeremiah Atcheah; Doris Mamley Djangmah; courtesy of the artists and Gallery 1957, Accra2

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Constructed Images.

 

Ric Bower either works alone or  with another artist to construct an image, or a series of images.

 

Elisabeth Efua Sutherland, Akɛ yaaa heko || One does not take it anywhere

 

Va-Bene Elikem Kofi Fiatsi (aka crazinisT artisT) Passing Through: radical acts of empathy

 

Ric Bower , As I Walked Out

 

Ric Bower, Prayer

 

Paul Avis,  A Troll's Breakfast