Reverse-Panopticon, Special Anniversary Edition (RPSAE) Fagot-Analytics (FA), Propaganda/Communications Drone Poster Deployment Package PCDDP10.7b ‘Apostatizer’, Unhumanned Flying Machine (UFM) DEPLOYMENT INSTRUCTIONS (DI)
The Reverse-Panopticon, a brief introduction to AEI (Aesthetically Enhanced Interrogation)
an artwork by
Ric Bower, Nástio Mosquito & Kelly Schacht
with special guests: Tom Clulee, Rhiannon Lowe & Steve Chivalry
comes to ArcadeCampfa, Cardiff
from July19th 2019 until 24th August
Artists Ric Bower, Nástio Mosquito and Kelly Schacht present a multifaceted alternative vision for how the fictitious nation of Botrovia might use aesthetic visual experience as a vehicle for disclosing truth, within the nation’s complex socio-political context.
The artists’ arenas of aesthetic enquiry extend from Western academic drawing processes, through to tattooing and quasi-scientific techniques that employ aesthetic gesture for a pragmatic purpose, such as the Rorschach Test. They invite their audience into a world where creative expression is just another method of societal control, and where soft power activities, such as drawing and tattooing, assume hard power roles.
The work manifests in multiple forms as the project progresses: Firstly there is a drawing class (directed by Fagot Koroviev (Ric Bower), the Minister of Security for Botrovia): then the Leader of Botrovia, A.L. Moore (Nástio Mosquito), delivers a personal recorded monologue, a performance for one, directly into the sound system of the Tactic δ:ASPM1b Enlightenment Hood worn by the drawing class model. The class model will sing a confessional song, under direction of A.L. Moore before receiving a tattoo from Koroviev, a mark of their engagement with the work. Meanwhile individuals from the Cardiff-based Iranian and Afghan refugee and asylum seeker communities, acting as the Botrovian Revolutionary Guard, administer Botrovian Truth Serum (vodka) to the drawing students and ensuring they fill out all the necessary Botrovian paperwork.
With special thanks to:
The University of Portsmouth &
Cardiff Metropolitan University
The project is supported by Arts Council Wales Lottery funding: